ASSESSMENT OF SILHOUETTE AND GESTURAL METAL SCULPTURES IN THE WORK OF PROF. KENNETH OKOLI: A HISTORICAL PERSPECTIVE

Abstract

This historical review examines the evolution and significance of silhouette and gestural metal sculptures by Professor Kenneth Okoli, a prominent figure in contemporary African sculpture. Prof. Ken’s innovative approach to sculpture, particularly his mastery in using metal to create dynamic, expressive forms, has positioned him as a transformative artist in the field. This study traces the development of his unique style, exploring the historical and artistic influences that shaped his works. It delves into how his sculptures embody a fusion of traditional African aesthetics and modern sculptural techniques, with a focus on the expressive potential of silhouette and gestural forms. By analyzing the use of metal as a medium, the review highlights Prof. Ken’s exploration of movement, abstraction, and how these elements serve to convey deeper cultural narratives and personal expression. The paper also situates Prof. Ken’s work
within the broader context of African and global sculpture movements, examining his contribution to contemporary art and his lasting influence on future generation of artists.